Although I come from the structured world of ballet, I've always been drawn to work that feels strange.

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I admire dancers who appear otherworldly onstage, but I'm most captivated by artists who feel human in the spotlight. The artists who can take something simple and transform it into something breathtaking through focus and intention.​

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My movement lives in the cinematic and quietly unsettling. I create pieces that prioritize sensation over spectacle — work that feels visceral, precise, and intentional.​